Jay Groce Guest Post

All photographs by Jay Groce. Click to enlarge.

DESIDERATA

Guest Post on Writing by Jay Groce

I was watching Wild Kingdom this morning while eating my Grape Nuts. The cameras were following a mother cheetah and her four cubs through the grasslands, and I tuned in just as they lost a freshly killed gazelle to a wake of aggressive vultures.  The narrator stressed the importance of finding another meal soon, because having lost one cub to a pair of lions, the mother cheetah needed to ensure the rest of her offspring survived.  I was rooting for the cheetahs. They’d experienced some tragedy and were just trying to get by. Plus, the cubs were really adorable. 

After the commercial break, the cheetahs spotted a nursing gazelle, and all too easily separated it from its mother, who ran in an attempt to draw the cheetahs away from her baby.  She looked on as her child died, and having lived through that myself, I was suddenly very anti-cheetah. I hadn't really planned on reliving those moments so early in the day, so I turned off the television and headed to work.  

I couldn’t help thinking, while sitting in traffic, that the world is full of cheetahs. There are so many things that could be lurking in the grass, stalking us, at any given moment. Imagine standing in the middle of a field nursing your child when suddenly something sneaks up and eats her.  

I suppose this doesn't happen to humans – at least, not that often.  I used to think it was because humans were well equipped to evade these types of tragedies.  Gazelles, on the other hand, have very little ability to protect their offspring – they can’t carry them, or defend them. They best they can do is run away, and hope they get eaten instead of their offspring. 

But we humans are a highly developed animal, and we excel at protecting our offspring. We can fight, we can carry our children to safety, we can squirt hand sanitizer all over their bodies and put helmets on their heads. All of these things (some of these things) help us protect our children from being eaten by cheetahs – the real kind – but sometimes, all the humanness in the world still can’t save our kids.

The Right Words

Emmy

 

In March of 2009 my 11-year-old daughter, Emmy, died from pneumonia complicated by MRSA.  She was healthy on Tuesday, and died Friday morning. The speed with which this happened, the horror of watching my kid die, and the guilt I felt as a parent, are indescribable – literally. There are words that I could use to tell you in detail what I saw – but in almost four years of searching for the right words, I’ve never been able to eloquently relate how it felt, or how I feel today.

As I writer, this has frustrated me beyond measure.  Since the seventh grade, when bad stuff happened, I wrote about it. I wrote about good stuff too and by college, I was writing about every experience I had.  It defined who I was as a person, at least in my head.  When I was having trouble, I could write myself out of it. If I was bored with my job, I would sit in my car at lunch and write. If I was feeling some marital strife, I could sit at the computer late at night and work through my thoughts with my writing. 

I suppose, now that I look at it, writing never really solved anything. But it always made me feel better to get my feelings out and occasionally, I’d get something useful in the process. There were times I would get serious about my writing and publish something here or there, but for the most part it had always been my thing to do when I needed to think things through, or to feel like myself. 

When my kid died, I fell into a deep, seemingly bottomless well – and no matter how I tried, I couldn’t write my way out of it.  I wrote volumes in the weeks following my daughter’s death.  But what I felt was not resolution or creative release, but frustration, and exacerbated sadness. 

In my grieving process, I skipped over denial pretty quickly and went straight into anger. I was angry at the world, I was angry at myself, I was just angry. My language reflected this, and when I would read back what I wrote, I had no idea who this asshole living in my head was.   

I needed desperately to exorcise the images that now dominated my daily life. I needed to write until my fingers ached and leave it all on the paper so that I could get on with living. But, it just wouldn’t come out of me – it held on tight to my psyche and wouldn’t let itself be managed. 

So, I did what anyone would do (I assume) – I just gave up.

It Defined Who I Was 

I think gazelles, and animals in general, must be wired a little differently than humans – at least humans of today. Animals have one to five kids every year and expect that many of them will die. I don't know how many offspring the average female gazelle produces in her lifetime, but I have to guess it's more than two, and less than a thousand.  I read recently that even 100 years ago, humans did not emotionally invest in their offspring until they were well into childhood, so that it would be less traumatic when, inevitably, little Timmy died of the plague, or pneumonia, or some other horrid illness that we no longer have to worry about. So, mentally, I realize the problem is not that my kid died, but that I invested emotionally in her long before it was advisable to do so.   

That doesn't make me feel any better.

If you are as connected to your writing as I was, then you can imagine how difficult it was to just stop writing. I was in the midst of the most tragic moment of my life. I was trying to hold up my wife and be a good dad to my oldest daughter. I was working to keep food on the table and to keep what little sanity remained in our lives. I was aggressively unhappy, but could not go to my happy place, because it had been burned to the ground.

I reached the point where it felt better not to write.  My life since my daughter died has been an emotional wave pool – sometimes I'd get to the top of a wave for an hour, or a day, but then I'd sink back down and might not see another wave for a month.  Writing was like an anchor pulling me under the water, so that even on my best days, it made me feel like I was drowning.  So, after months of filling blank pages with emotionally dark and repetitive crap, I hung up my keyboard and called it quits.

I Never Stopped Calling Myself a Writer

I never stopped calling myself a writer. But, in the summer of 2010, I started calling myself a photographer as well.  My daughter was playing high school volleyball, and I wanted to take pictures at her games. I'd always wanted a decent camera, but had never had a great reason to invest in one. Suddenly, memories of my kid as a kid seemed important, so I bought a camera. Every day since then, I have studied photography. 

At first, it was a way to keep my mind from wandering to the dark place. Motivated by a desire to take better pictures, and a genuine interest in the world of photography, it grew into a hobby.  Before I knew it, people began asking me to take pictures of them, and then giving me money to take pictures. 

What I found, after a while, was that occasionally I’d take a picture, and I’d feel like writing about it. One of the first times I did this, I mentioned that writing and photography were not so different, as creative outlets go.   

When you have the tools, the knowledge and the desire to create something – whether that something is playful or meaningful or sad – the end result of the process is that something comes out of your brain and gets put on paper (or a computer screen) for the world to see.  What is different is that when you are looking through the lens, especially if it’s new and you are concentrating on not screwing up, it is difficult to think about your kid dying.  That is what I love most about being a photographer.

A year or so ago, I said that photography saved my life. I still believe that to be true. It was a much needed release for my pent up creativity, and took my mind out of the present for a little while. Additionally, photography opened some mental doors for me, and offered me a new approach to writing that focused less on my feelings. Writing about why and how I made a photograph is much less taxing emotionally than writing about having to take happy pills just to be able to face the world. It is probably less interesting, and that is something I'm working on, but it keeps the juices flowing, and the fingers nimble.

Having the Need to Write

Grave

 

In the intervening years, I’ve gone back to my writing place a time or two, and I’ve even sat down and wrenched out a few things. It is no longer a happy place, but It is a place, and for now I have to be okay with that.  I’ve started a novel, which I’ve come to view as a thing – like a picture – that I can write through. In it I can relate some of my feelings, but I don’t have to cut myself and bleed on the paper if I’m not feeling especially up to it. Having the need to write, but not the ability, has forced me to find a different way to approach writing. I’m not sure if the new way is better, but I do know that I still have much to say to the world – more now than ever probably – and I’m hoping this new way allows me to say it.

Not a cheetah.

I said the world was full of cheetahs, and while I believe that any of us could be eaten at any time, I do not live my life in fear.  Most of the time, we humans do a pretty decent job of protecting our offspring, and each other, from cheetahs. Part of the healing process is coming to terms with the fact that bad things happen, but realizing that they don't happen all the time. I know eventually I'll have to write about that day, once I find the words. I think my brain is secretly working on finding those words, which is why it won't fully participate in anything else I need it to do. That's going to be tough, but I know that I'll likely live through it.  

In the interim, I'll keep dancing around it. I'll touch briefly on my shiny new views on death and tragedy while describing a photograph of a young deer, the beginnings of a rose bud, or a tree in winter.  I will write a novel, which may deal with the fallout, and the rebuilding that happens after a tragedy. The point is, I will continue to write, despite it being difficult, and despite my constant self-sabotage.  It's the cheapest therapy I know, and for me, the most effective. The way to conquer grief is through love, and for that you need other people. But, for wisdom, and imagination, you must turn inward. That's what writing is for me – not the path out of grief, but a life-long journey to understand myself.

***
All photographs are by Jay Groce and posted with his permission.

***
Hey WIPpers -
I've been a fan of Jay's writing since 2004, when we first met via personal blogs. 
He has an eye for balance and, being a writer as well as photographer, understands the synergy words and images can create. If you would like to collaborate on book cover projects (or writing projects!), here is his contact information:

http://photos.jaygroce.com/

http://photos.jaygroce.com/contact.html

Photoessays: http://www.writejaywrite.com/
Direct email: jgroce(at)gmail(dot)com
He also has a permanent link on the right side of this blog.

Happy writing,
J

Coming up:

Characters

Dialogue

Dialogue Tags

Passive

Verbing

Robert Bevan 

Nat Russo

WRITER'S BLOCK

WRITER'S BLOCK

Or: [BAMF subtitle HERE]

Criticism looks like: "I don't know what to write next." Or "What happens next?" Or "The words just won't come!" 

The comments don't appear on your WIP because you haven't even finished your WIP! This is you, saying you have Writer's Block. 

Why am I writing about that instead of addressing a completed WIP? Cuz it's November! NaNoWriMo! Fellow Wrimo's are heading into the second(ish) week of the month, and I want to make sure they've got tools they can use. (Actually, anyone can use the techniques here at any moment in time.) So I'm not going to blog about Pacing, Details, Filtering, or our friends Showvee and Telle. Thinking about this schtuff might slow you down. Now is not the time to self-edit and self-criticize.

Write the damn story. Fix it in post. (And the more you revise, the better your first drafts get!)

Inspiration from the SF Zoo:

 "The Honorable Judge Jamison charged me with contempt after I called him a blue-faced, pustule-covered, sad, impotent, holiday main course."

Let me get opinionated for a mo. I don't believe Writer's Block exists. It's an inconvenience. Or, a convenient excuse. Like "I know what happens further on, but I don't know how to get there. I have Writer's Block." Or "I do know what happens next, but I don't know how to write it." Or simply "I have nothing to write." 

There's a Quick Fixes for two of three:

1. If you're stuck at a point in your story, but you know what happens just over the hump, in fact, you're aching to write what happens just over the hump, then f*cking skip the hump! Chances are, it's an eye-gougingly boring hump. "After Chester killed Mayor Bugaboo, he made himself a sandwich, disposed of the body, and confronted Mayor Bugaboo's sister." 

Do I need to see Chester making the damn sandwich? No. Do I need to know how he disposed of the body? Maybe. Do I want to see what happens when Chester confronts Mayor Bugaboo's sister? Hell yeah. Especially if she's gonna reveal something cray cray. 

Inspiration from real life:

"I had to take him home or be fired. The stakes were... high."

2. If you're stuck at a point in your story that's integral to plot/character/theme development and yes, by all that's holy it needs to be in the damn story but you don't know how to write an action scene/love scene/sex scene/murder scene, then use these buttons on your computer: [ and ]. Between those brackets, write: BAMF action scene/love scene/sex scene/murder scene HERE. 

Should look like: [BAMF action scene here] (BAMF stands for Bad*ss MoFo. Of, if you don't cuss, you can make up your own acronym. Like, Super Cute Awesome Terrific [SCAT murder scene HERE] or Incredibly Precious And Devastating [IPAD love scene HERE]. 

That's your placeholder. Continue writing and go back when you think you can do your scene justice. I know, I know, it's an awesome scene that will make people cry/laugh/go WTF just happened. But it's stopping you. It's a red light at a defunct intersection. SKIP IT. It's still going to be there when you're ready for it. 

 Inspiration from old family photo albums:

"Elves are born able to do fundamental magics. That's why they live in stone houses. Because of the tantrums."

When you're all done with your WIP, crack open the book of a master and find the necessary tools. Need to do action? What verbs did your fave author use? How were the sentences structured? Commas? Length? How about a love scene. How did your fave author convey the right emotions at the right time? Adjectives? Flashbacks? A murder scene could be a combination of the two. What senses were engaged? 

Point is, when doing a project, sometimes you do have to walk away from part of it until you've got the right tools. Might need a bone saw, might need quilling tweezers. Whatev. Specialty stores ain't open 24/7. Nothing wrong with that. An inconvenience.

Inspiration from an incredibly self-indulgent emo journal entry.

"I think that's why the vampire chose me. Because I was emo too. Yes, I was emo too."

 Now, put your yoga pants on and let's get metaphysical:

It's so freaking easy to have a phrase for the blank page, the faltering plot, the strangely, suddenly silent character: Writer's Block! 

What do you really mean when you say it? Pin it down. Are you tired? Hungry? Sick of your protag? Realized how lame the BFF is? Completely unsure of where your story's going?

Sometimes, you do just need some rest, water, or a snack. Sometimes, you do just need to put in a placeholding [BAMF scene] here. Sometimes, though, you do need to take a break – not stop – from the story and find inspiration. Don't call it Writer's Block – a block is dense and implies difficulty. As a writer, you should be aware of a word's power. Call it a Writer's Pause. F*ck it, let's give it a badass name. 

I have Writer's [BAMF new name here]! 

This is you, giving yourself permission to be inspired rather than fooling yourself with an obstacle, a Block. The universe is full of inspiration. An old love letter. A journal entry. A riveting scene in an action movie. An article in Popular Science. A tabloid header. A meme. A word in the bible. Catastrophe. Castration. Empowerment. Rebirth.

Inspiration from everyday life:

I see at least 5 new themes to explore in this photo. How many can you find?

Ok, enough with the metaphysical pep talk.

Let's put our serious pants on: 

Here are some techniques (tested and approved by my writing group) you can use right now to get moving – maybe not in the direction you planned to go, but movement is movement. 

1.      Think: What's the worst thing that can happen to my protag? Make him face it/avoid it/outsmart it.

2.      Go back to the last decision your protag made and flip it.

"At the Bee Crossing, Jakken considered going left. He went right instead. And his life was yadda yadda..."

3.      Go for a walk or take a hot shower. This is not a relaxing break. You're getting alone time with your characters. Talk to them. Find out why they won't act or speak or tell you what to write next. Maybe what happens next is so disturbing to your protag, he can't even talk about it. Seriously. You don't even want to know. But you have to know, so ask his friends (other characters in your story) what really happened. IOW, look at the scene from another POV.

4.      When you're wrapping up for the day, stop short. Don't push to the chapter's end. Or if you do, push into the next one. Don't leave the story where it feels good to leave it. Rather, stop just before you tie up a loose end, kill someone, whatev. That way, you have a scene in your head for your next writing session.

5.      [BAMF Obligatory don't give up message HERE]

Keep your chin up, Skippy. You're only playing with lives.

-J

Coming up: 

Details

Mssrs. Showvee and Telle

Pacing

Purple